Photograph of the Ringling Brothers Circus in Asheville, North Carolina. Circus workers are unloading items from the train, pictured left. The railroad station is crowded with onlookers watching the circus unload.
Photograph of the Ringling Brothers in Asheville, North Carolina. This section of the circus features camels and horses walking in rows in front of a barn-like structure.
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. This section of the parade features a highly decorated wagon pulled by a large team of camels. Onlookers crowd the streets and second floor balconies of the downtown buildings to view the parade.
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. This section of the parade features a highly decorated wagon pulled by a large teams of horses. Onlookers crowd the streets and second floor balconies of the downtown buildings to view the parade.
Photograph of the Ringling Brothers in Asheville, North Carolina. A wagon pulled by six horses is followed by several other wagons and vehicles along a wide river.
Photograph of a Barnum and Bailey circus wagon pulled by a team of four zebras. The wagon is part of a parade in Asheville, North Carolina. Onlookers crowd the street and second floor balconies as they watch the parade pass through the town.
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. This section of the parade features highly decorated wagons pulled by large teams of horses. Onlookers crowd the streets and second floor balconies of the downtown buildings to view the parade.
Photograph of the Ringling Brothers in Asheville, North Carolina. Many people line the left side of the street as a wagon train pulled by white horses with decorated harnesses. Several train cars are visible to the left of the photograph. The crowd consists of mostly men. The assembled crowd is witnessing the unloading of the circus train in a rail yard or at a crossing. The wagons were pulled by horse teams to the show lot, where the parade was then assembled for routing through the city center.
Photograph of a Barnum and Bailey circus parade in Asheville, North Carolina. Crowds of onlookers line the streets as circus performers on white horses stride through town.
Photograph of a Barnum and Bailey circus parade in Asheville, North Carolina. Crowds of onlookers line the streets as circus performers in wagons pulled by large teams of horses walk through town.
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. A wagon pulled by six horses is followed by several other wagons and vehicles along the edge of a wide river. Onlookers watch as circus members perform for the crowd.
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. This section of the parade features camels walking in rows of four led by a circus member. Crowds of onlookers surround the parade.
Photograph of a Barnum and Bailey circus parade in Asheville, North Carolina. Crowds of onlookers line the streets as circus performers in wagons pulled by large teams of horses walk through town. Between the wagons, a row of elephants faces the crowd.
Photograph of the Ringling Brothers Parade consisting of circus performers riding on horses in groups of two in Asheville, North Carolina. The performers are dressed in costumes. The streets are crowded with onlookers as the parade passes through downtown.
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. This section of the parade features a highly decorated wagon pulled by a large teams of horses. Onlookers crowd the streets and second floor balconies of the downtown buildings to view the parade.
Photograph of the Ringling Brothers Parade in Asheville, North Carolina. A wagon pulled by six horses is followed by various vehicles along a wide river. Onlookers watch as circus members perform for the crowd.
Postcard photograph of a man and woman standing on the deck of a ship. The woman stands in front of the man, holding onto the guard rail with her left arm. She wears a long dress with a large white collar and a tasseled belt. The man leans the guard rail, wearing a suit with a bow tie and hat. A large body of water is visible behind the couple. "Abordo del Louoma" is hand-written on the image. A letter addressed to J. B. Aguilera is written in Spanish on the back.
Postcard photograph of Patzcuaro Lake, also known as Atardecer Lake in Guadalajara, Mexico. The photograph is cast in relief from the setting sun disappearing behind a line of mountains that stretch across the photograph. Several clouds filter sunlight onto to the lake in an irregular pattern. A dock is just visible to the right of the photograph, slightly below where the mountain line meets the lake waters. A hand-written inscription on the front of the postcard reads "Atardecer Lago de Patzcuaro No. 19. A letter to Federica Abreu is addressed on the back.
Photograph of Carpe Cubana's show truck in La Feria, Texas. The camp had been flooded, and five members of the circus stand around the truck, trying to move it out of the knee-high water. The men wear loose-fitting sleeveless shirts and shorts. A horse is also attached to the truck in an attempt to free the truck from the flood waters. A hand-written inscription in white reads "CUBAN SHOW. TRUCK NO. 2, LA FERIA TEX. 5/29/29."
Photograph of Carpe Cubana's flooded camp in La Feria, Texas. Several members of the crew stand in front of a tent posing for the camera. The flood waters reach up to the crew member's knees. One man balances on a barrel floating in the water.
Photograph of Carpe Cubana's circus camp in La Feria, Texas. The camp had been flooded, and members of the circus stand together in knee-high water. Some members of the circus carry household goods such as pots, bags of food, and fold-up chairs. Several men sit in the water, and one man even balances a teacup on his head. Plain tents are visible behind the circus members. A hand-written inscription written in white reads "CUBAN SHOW CAMP," and "LA FERIA TEX. 5/29/29." A man sitting in the water has been identified as Gabriel Nava.
Photograph of Barnum and Bailey outdoor circus. Crowds of civilians mill around outside of the tents. An inscription on the photograph reads "#4 copyright 1910 by Wischuster, Barnum & Bailey's Circus, May 21, 1910. New York." A letter addressed to Sabino Abreu is written in Spanish on the back of the photograph.
Photograph of Carpe Cubana's cookhouse in La Feria Texas. The street is flooded into the doorsteps of the houses up and down the street. A man stands in the middle of the street, facing the camera. An inscription on the front of the photograph reads "Cuban Show Cookhouse. La Feria Tex. 5/29/1929."
Photograph of Carpe Cubana's headquarters in La Feria Texas. In this photograph, the flood waters had receded, but the front of the building is strewn with debris. An inscription on the front of the photograph reads "Cuban Show Flood Quarters. La Feria Tex. 5/29/1929."
Photograph of Carpe Cubana's flooded camp ground in La Feria Texas. "Cuban Show La Feria Texas 5-29-29" is hand-written on the front of the photograph.
Photograph of Carpe Cubana's show lot in La Feria, Texas. The ground is flooded with water and surrounded by trees and shrubs. Five men pose for the camera while standing in the flood water. Two tall poles extend from the center of the show lot, secured by heavy hires. A hand-written inscription reads "CUBAN SHOW. LOT LA FRIA TEX 5/29/29."
Photograph of Carpe Cubana's storage building in La Feria, Texas. Several men stand outside of a warehouse structure with a sign reading "Panaderia La India." Machinery is strewn messily outside of the building. A hand-written inscription on the photograph in white reads "Cuban Show."
Postcard of a family portrait sent to J.B. Aguilera from Victoria. The photograph features four women and a boy seated around a dog. A baby is positioned against the belly of dog. The group is sitting in grass in front of a short fence, surrounded by foliage.
Photograph of Federica and her brothers at the Majestic Theatre in Chicago, Illinois. The portrait consists of Federica standing between her four brothers, facing right but looking at the camera. The men wear dark tuxedos with white shirts and bow ties. Federica wears a light-colored dress consisting of a three tiered ruffled skirt. Fine beading is present on the straps and low neckline of the dress. She wears a beaded headband and ballet shoes.
Photograph of La Feria, Texas, flooded with rainwater. A horse-drawn wagon is parked in front of several buildings. The wagon is filled with men and small children. The flood waters reach half the height of the wagon wheels.
Postcard depicting the first Communion of Gsabel Gonsalez of Laredo. The girl is pictured wearing a sheer veil and white dress. She is holding a candle, prayer book, and a rosary. A statue of Jesus is placed on a pedestal to the right of Gsabel. Two faces of flowers are placed in front of the pedestal.
Photograph of the flood in La Feria, Texas. The photograph depicts a street of single story houses to the right, and a two-story storefront to the left. The street in between the structures is filled with flood water. An inscription written in white reads "LA FERIA TEX. 5/29/1929."
Photograph of La Feria Texas. The street is flooded into the doorsteps of the houses up and down the row. The man stands in the middle of the street, facing the camera. An inscription on the front of the photograph reads "La Feria Tex. 5/29/1929."
Postcard with a felt kangaroo pasted onto a paper card. A gradient was applied to the card, transitioning from purple to blue. The card reads "Hearty Greeting. From the land of the Wattle and Kangaroo, Come heartfelt wishes, warm and true; May happiness each year increase, And future days roll on in peace." An inscription underneath the felt kangaroo reads "The Australian Kangaroo." A letter written in Spanish is addressed to Sabino Gomez in Chicago Illinois, from A. Guzmani in Sydney Australia.
Postcard photograph of an observation point at the Pecos River Canyon. The photograph depicts a concrete bridge dividing the mountain in the foreground from the rest stop. The bridge is part of U.S. Highway 90. The rest stop features a brick awning topped with large leaves and a gravel floor. A car is parking outside of the awning. Below, the canyon is visible, as well as a large train trestle stretching across two mountains. An inscription on the front of the postcard reads "Observation Point - Pecos River Canyon U.S. 90 Between Del Rio and Langtry, Texas. A letter is written in Spanish on the back, from Alfredo to Federica Abreu.
Postcard of the desert lily from Palm Springs, California. A letter written in Spanish from Victoria to Federica Abreu is written on the opposite side.
Postcard of San Bernardino Mountains featuring several roads roping through the valley. Small houses spot the mountain side along with dense foliage and pine trees. A letter to Victoria Abreu from Nina and Charlie is inscribed in Spanish on the back, dated August 15, 1939.
Postcard of the landscape of Cerro de Guadalupe. The postcard depicts two houses in front of a small hillside. The houses are small, one-story made of wooden slats. The closest house features a front porch and fence. A road runs to the right of both houses and toward the base of the hill. Several people are standing outside of the second house. A hand-written inscription reads "Cerro de Guadalupe H. Zuacuaro Mich. No 2." On the back, a letter is inscribed from Federica Abreu to Victoria, dated February 12.
Photograph of a toddler standing next to an urn. The young boy is wearing a one-piece short sleeved suit with a belt around his waist. His left hand holds his balance on the urn. A stamp on the opposite side reads "M.H. Gonzalez Studio 913 SO Laredo St. June 15 1949 San Antonio, Texas.
Photograph of baby Alfredito, dressed in a white gown and socks and laying on a white blanket on top of a floral cushion. A hand-written inscription in Spanish on the back of the photograph says the baby is two and a half months old.
Postcard of baby Celia, sent to Federica Abreu. Celia is seated on an embroidered quilt. She is wearing a bonnet with lace trim and large flowers attached to each side. The bonnet is tied in a bow underneath her chin. The dress she is wearing is white and short-sleeved, with matching lace trim. She also wears socks and white shoes.
Photograph of Romana Ortiz, sent to Frederica Abreu in Chicago, Illinois. Romana is sitting and holding a bouquet of roses in her right hand. She is wearing a collared, long-sleeve shirt and long dark skirt. She wears a dark hat with a brim of flowers and a bow tie around her neck. A letter to Romana from Federica is inscribed on the back of the postcard.
Photograph of Sabino Gomez, wearing a dark suit and striped tie. He carries a coat and round hat in his hand. A pocket watch chain hangs out of left pocket.
Photograph of Sabino Gomez, wearing a dark suit and striped tie. He carries a coat and round hat in his hand. A pocket watch chain hangs out of left pocket. His arms are crossed and resting on a table.
Photograph of Sabino Gomez. The portrait consists of Sabino from the chest up. Sabino is wearing a suit with a striped tie. A pocket watch chain runs through his lapel and into his front pocket.
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