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[Figure drawing notes]
Notes by Carl Benton about human anatomy.
Granada, The Garden of Allah
Journal entry by Carl Compton about his travels in Spain.
[Journal entry about France]
Journal entry by Carl Compton about his time in Rouen.
[Journal entry about France]
Journal entry by Carl Compton about his experiences in Paris.
[Journal entry about France]
Journal entry by Carl Compton about his experiences in Paris.
[Journal entry about France]
Journal entry by Carl Compton about his experience in Paris.
[Journal entry about France]
Journal entry by Carl Compton about his experiences in France.
[Journal entry about France]
Journal entry by Carl Compton about his experiences in Paris.
[Lecture on travels in Italy]
Lecture by Carl Compton about the marriage of the Prince of Piedmont and the Princess of Saxe-Coburg in Rome.
[Ticket from Folies Bergère]
A general admission ticket for one from Folie Bergère cabaret music hall.
[Haebler Incunabula Plate 30]
Plate 30 - Paris, Ulrich Gering, 1478, Type 5
[Receipt from Hotel Regnard]
A receipt from Hotel Regnard in Paris.
[Typed version: Letter from Carolyn R. Itri to Nicholas C. Soviero, July 1, 1944]
Typed version: A love letter from Carolyn R. Itri to her future husband, Nicholas C. Soviero. The letter reads, "Here it is the first day of July and a real hot day too." The letter continues with details about sewing pocket facings at work, A girls outing to the movies to see Lady in the Dark, family interactions, and discussions of previous packages that contained wood for a pipe and photos. The letter closes with a particular sweet line, "We belong together...in pictures & everything else." Written July 1st and posted July 2nd.
[Typed version: Letter from Carolyn R. Itri to Private Nicholas C. Soviero, August 9th, 1944]
Typed version: A love letter from Carolyn R. Itri to her future husband, Nicholas C. Soviero. The letter opens with Carolyn thanking Nicolas for a mystery textile that he sent home to her as a gift and how she wishes she could have seen the places that he is sending her the gifts from with him. She goes on to tell him about visiting friends and how it reminded her of when she saw him last. Written August 9th and Posted August 11th.
[Typed version: Letter from Letter from Carolyn R. Itri to Nicholas C. Soviero, July 3, 1944]
Typed version: A love letter from Carolyn R. Itri to her future husband, Nicholas C. Soviero. The letter reads, "My darling sweetheart, Well, I got three letters from you today". The letter continues with questions on how he likes Italy, an Italian family he visited, the weather surrounding the fourth of July, sleeping habits and how she cant wait to learn them and be warm in bed, and lastly details about photo negatives and family activities. The letter closes "Please take care of yourself & again I repeat. Please don't take any unnecessary risks... I love you, Carolyn" Written July 3rd and posted July 4th.
[Haebler Incunabula Plate 1]
Plate 1 - Antwerp, Gerard Leeu, 1491, Type 5, 8
Plaza Life: Hangin' Out in South Texas' Hispanic Plazas, or Hispanic Plazas: Hangin' out in South Texas' 'outdoor living room'
Draft of an article about Hispanic plazas in South Texas that was published in the September 2002 issue of Texas Highways magazine.
[Haebler Incunabula Plate 48]
Plate 48 - Toulouse, Heinrich Meyer, 1494, Type 6, 7, 8
[Haebler Incunabula Plate 52]
Plate 52 - Libson, Rabbi Elieser, 1489, Type 1, 4
[Haebler Incunabula Plate 12]
Plate 12- Augsburg, Johann Schoensperger, 1490, Type 2 and 3
[17th Century Spanish Carta Excutoria]
Opening page of a 17th century Spanish Baroque Carta executoria, providing geological evidence of aristocratic lineage with no trace of peasant, Jewish or Moorish blood. More than simply asserting one's high standing, such documents exempted the holder from civil suits and taxation. Carta executoria were often ostentatiously illuminated (as here), to suggest the wealth and taste of the grantee. Displays large intricate initial "D" (i.e. Don Carlos, King of Spain from 1665 - 1700) in the form of an ornate fountain incorporating fish, snakes, birds, and foliage.
[Bible Leaf with Text from 1st Maccabee, 13th Century]
A leaf from a Bible in Latin (France or England, ca. 1230-1260) containing text from 1 Maccabees 1 et seq. ("Et factum est postquam percussit Alexander Philippi Macedo"). Text displayed as 2 columns, gothic script (texualis formata). A notable feature of this particular leaf is that the writing begins "below top line" which suggest the MS was written "below top line" which suggests the MS was written after 1230 (see: N.R. Ker, "From 'Above Top Line; to 'Below Top Line': A Change in Scribal Practice," Celtica, 5 [1960], 13-16). Note also that the chapter numbers were added later (standardization was begun in Paris ca. 1230).
[Book of Hours Leaf from the Mid 15th Century, France]
France [Valence], mid-15th century. Text displayed in single column, bâtarde hand. Rubrics in pink, two two-line initials in gold and colors, and with a miniature of Matthew and his angel, enclosed by a rounded gilt frame as well with a border on three sides, the border containing acanthus leaves, hairline vines with gold dots, and trefoils, the same border on the outer margin of the other side of the leaf. The artist here has depicted Matthew in the act of writing. Matthew sits with his back to the table and displays an unfurled scroll across his lap and a stylus held high in the air as if seeking divine inspiration.
[Book of Hours Leaf: Prayers for the Dead from the 15th Century, France?]
(France? 15th-century). Text displayed in single column, gothic script, initials alternating blue and burnished gold, the formers with black filigree and the latter with red. From a Book of Hours, in Latin. Lauds / Office of the Dead. Includes prayers beginning with "Generacio mea ablata est et conuoluta est a me quasi tabernaculum pastorum."
[Book of Hours Pentecostal Illumination from the 15th Century, Bruges (Belgium)]
A leaf from a Book of Hours, in Latin, with a full-page illumination of Pentecost (Bruges, ca. 1460). The illustration is enclosed by a wide and ornate bar frame in pink and blue with gold tracery, the frame outlined in burnished gold with floral cornerpieces in colors and gold, the whole within a full floral border filled with blue, pink, and red flowers, with blue and gold acanthus leaves and green buds and leaves as well as many tiny burnished gold dots. The Virgin and the Apostles gathered in a large room with much architectural detail--blue, green, and gold columns, gray stone walls, mullioned windows, vaulted blue and red ceilings, and an intricately detailed blue and pink tiled floor, as golden rays of light shine through an open window.
[French Book of Hours Liturgical Calendar, April, Late 15th Century]
A leaf for the month of April from a Liturgical calendar from a Book of Hours. Text displayed in single column, bâtarde hand. Three-line "KL" in brushed gold on a maroon ground, five one-line Domical letters in similar style, saints' days in red or blue (one major feast day in gold), each side with a panel border in the rinceau style, with swirling hairline stems bearing numerous burnished gold ivy leaves and berries and red and blue blossoms, the panel on the recto with a roundel showing the labor of the month of April (gathering flowers), and a roundel on the verso showing Taurus the bull. The painter of the roundels seems to have been influenced by the so-called Maître François.
[Latin Bible Leaf [Peter 1 & 2] from the Mid 13th Century, England or France]
Manuscript leaf from England or France, ca. 1230-1260. Sourced from a Latin Bible with text 1 Peter 3-5 and 2 Peter 1 et seq. displayed in 2 columns, gothic script (texuais formata). A notable feature of this particular leaf is that the writing begins "below top line" which suggest the MS was written after 1230 (see: N.R. Ker, "From 'Above Top Line; to 'Below Top Line': A Change in Scribal Practice," Celtica, 5 [1960] 13-16). Note also that the chapter numbers were added later (standardization was begun in Paris ca. 1230).
[Leaf from 13th Century Bible]
A leaf from a Latin Bible from England or France, ca. 1220-1240. Text from the end of Jonah 4, and Micha 1-3 is displayed in 2 columns, gothic scripts (texuais formata). A notable feature of this particular leaf is that the writing begins "below top line" which suggests the MS was written after 1230 (see: N.R. Ker, "From 'Above Top Line; to 'Below Top Line': A Change in Scribal Practice," Celtica, 5 [1960] 13-16). Note also that the chapter numbers were added later (standardization was begun in Paris ca. 1230).
[Leaf from 13th Century Bible, Paris, France]
Manuscript leaf from Bible, in Latin: Hosea 1 et seq., France [probably Paris], ca. 1240. Text displayed in double column, gothic pearl script. Rubrics in red, capitals struck in red, running tiles and chapter numbers in red and blue, one two-line initial and one four-line initial with extensions into the margin, both painted pink or blue with gold dot embellishments on a contrasting ground, and both with an internal scrolling design, the larger initial containing the head of a small beast, and a 6-line historiated initial depicting the prophet Hosea holding a scroll (rubbed). Margins with a contemporary correction and a few indecipherable notes in a later hand.
[Leaf from 15th Century Breviary, France]
Manuscript leaf from 15th century France. Calligraphy text appears in a single column, gothic script, with single-line initials, embellished with burnished gold. Breviary [Matins] beginning: ["Sicut adipe et pinguedine repleatur anima mea:] et labiis exultationis laudabit os meum."
[Leaf from a 15th Century Breviary, French or Italian]
A miniature Breviary from the 15th C. including sermons and readings, on 2 Luke: "sermo euangelicus qui praecedit narrat qualiter dominus centurionis puerem obentu magnae eius fiidei sanauerit, et quomodo ipsius centurionis, immoin eo gentium, extulerit fidem."Also "Eternus arque invsibilis rerum conditor, humanum genus quod per longa seculi cranseuntis sparia mortis perpetua."
[Leaf from a Book of Sermons, 15th Century, Germany]
A leaf from a book of sermons, (Germany, 15th century) on paper, with watermark just barely visible (type uncertain: possibly "Etoile" type of Briquet 6067-6071, dated variously from 1422 to 1477 (see: C.M. Briquet, Les Filigranes, 1907, reprinted 1967, vol. 3), or handwritten.
[Leaf from a Miniature Bible, Mid 13th Century, France]
A leaf from a miniature Bible in Latin from France, ca. 1250-1275. Text organized in 2 columns, gothic script (texualis formata) and displays 1 Chronicles 23-25. A notable feature of this particular leaf is that the writing begins "below top line" which suggests the manuscript was written after 1230 (see: N.R. Ker, "From 'Above Top Line; to 'Below Top Line': A Change in Scribal Practice," Celtica, 5 [1960], 13-16). Note also that the chapter numbers were added later (standardization was begun in Paris ca. 1230).
[Leaf from an Unadorned Book of Hours 15th Century, Netherlands?]
Leaf from an unadorned miniature Book of Hours, in Latin, with specific prayers for Lauds which take place in the early morning hours. Text is displayed in a single column of late gothic script. Prayers invoke the Virgin Mary.
[Leaf from Latin Bible of 2 Kings 5, 13th Century, England or France?]
A leaf from a Latin Bible, (England, or France, ca. 1230-1260), including second Kings 5. Text is displayed in 2 columns, gothic script (texuais formata). A notable feature of this particular leaf is that the writing begins "below top line" which suggest the MS was written "below top line" which suggest the MS was written after 1230 (see: N.R. Ker, "From 'Above Top Line; to 'Below Top Line': A Change in Scribal Practice," Celtica, 5 [1960] 13-16). Note also that the chapter numbers were added later (standardization was begun in Paris ca. 1230).
[Leaf from Latin Bible of Ecclesiastes 2-8, 13th Century, France]
A leaf from a Latin Bible (France, ca. 1200-1240), including text from Ecclesiastes 2-8. Text displayed in 2 columns, gothic script written "above top line", and chapter numbers in margins, indicating a date before ca. 1240. Notable in this item are the outer margin prickings used for the creation of horizontal justification lines and the hole in the vellum, around which text has been written.
[Leaf from Miniature Prayer Book, 15th Century, Netherlands]
Leaf from a miniature prayer book in Old Dutch (The Netherlands, 15th-century). Text appears in a single column, late gothic script. The present leaf contains prayers for the "Heilige Jonc frauwen" Saint Gertrude and Saint Margaret. Note the scribe misspelled the girl's name as "Gertgtruyt" to which he/she/they made an unobtrusive correction. This item is unique in its collection, of the 37 leaves from this acquisition made in 2018, this is the only one on paper.
[Liturgical Calendar Leaf from a Book of Hours 14th Century, France or the Netherlands?]
A leaf displaying the month of November from a liturgical calendar within a Latin Book of Hours. The text indicates so-called "Red Letter" days. This particular Book of Hours was designated use of Sarum (i.e. Salisbury Cathedral) and was bound in France or The Netherlands in the 14th-century most likely for the English Market. Of particular interest is the appearance of "Euduardi Regis" referencing King Edward the III of England [1312-1377].
[Liturgical Calendar Leaf from Early 15th Century, France]
Manuscript leaf displaying a liturgical calendar (May) from early 15th century France. Text indicating so-called "Red Letter" days. Notable to this item is a handwritten genealogical inscription in French, by "Geryot" dated 1637. Source believed to be a Book of Hours.
[Manuscript Leaf 12th Century, France]
A previously bound leaf approximately 12th-century.Text from a Lectionary (?) with text from the Life of Saint Gregory of Spoleto. The words Gregory and martyr appear in red ink. Late romanesque book hand. Seven line initial "T" in yellow on a blue background outlined in red, with a small winged dragon. Recovered from a bookbinding.
[Manuscript Leaf 14th Century, Italy]
A leaf from bookbinding recovered and repaired from Italy, ca. 1300. Displays 2 columns, with marginal glosses. Includes text from Justinian's Digesta. Repaired with vellum at an unknown date.
[Manuscript Leaf 15th Century, Italy]
15th-century Italian manuscript leaf. Displays very large-format Psalter containing Psalms 134 et seq. The text opens with, "Ecce nunc venedicte Dominum, omnes servi Domini.."
[Manuscript Leaf 15th Century, Northern Netherlands]
15th-century Book of Hours originating from the Nothern Netherlands [Utrecht], ca. 1430s. Dutch text from the Long Hours of the Cross displayed in single column, 19 lines, gothic book hand. Rubrics in red, capitals struck with red, eight one-line initials in red or blue, verso with one three-line initial in burnished gold embellished with red penwork and extensions' full border composed of a vertical bar border of burnished gold and blue with white tracery, the bars with hairline stems emanating from each end and spreading across the top and bottom and along the fore-edge margin, these vines bearing burnished gold trefoils, delicate daisies, and pink and green buds, with the text opened by a 10-line initial "H" in highly burnished gold on a pink and blue ground with white tracery, in the center of the initial a draped flowering vine.
[Manuscript Leaf from 13th Century, Germany?]
13th-century German manuscript leaf. Double column, transitional Caroline/gothic hand. Text from a Lectionary(Matthew 13:15 - 13:21, in which Christ explains to his disciples why he speaks in parables). Written by an accomplished scribe, with capitals, ampersands, ligatures, and fishtail-like terminations at the top of ascenders indicate that the script is transitional, from the late Caroline to the early gothic. Recovered from a bound book.
[Manuscript Leaf from 15th Century, Germany]
A manuscript leaf from 15th Century, Germany. The manuscript leaf is laid out with two (2) columns and scribed in late Gothic script. There are musical neums on 4-line staff (by the 16th-century the 5-line staff became more standardized) Breviary. The manuscript leaf was created on vellum parchment and used both red, blue, and black gall ink for the script. The leaf is labelled as page twenty-one (21).
[Manuscript Leaf from a Volume on Saints' Lives from the 12th Century, Italy/Lombardy]
A leaf from a volume on the lives of saints from Italy, perhaps Lombardy, ca. 1100. Attenuated Caroline minuscule. Rubric in red majuscules. 16 line initial "P" with curling foliate infill. With the inscription of "D. Thomasio de Belmont" (perhaps Belmont-sur-Lausanne) and the date 1681 in one margin. Begins with an account of the life of Saint Cyprian.
[Manuscript Leaf from Latin Bible [James I], 13th Century, England or France]
A leaf from a Latin Bible (England or France, ca. 1225-1275). Text displayed in 2 columns, gothic script (texuais formata). A notable feature of this particular leaf is that the writing begins "below top line" which suggest the MS was written after 1230 (see: N.R. Ker, "From 'Above Top Line; to 'Below Top Line': A Change in Scribal Practice," Celtica, 5 [1960] 13-16). Note also that the chapter numbers were added later (standardization was begun in Paris ca. 1230). The text is James 1 et seq. (note that the chapter heading is "IA/COBI").
[Manuscript Leaf from the 12th Century, Italy]
This 12th-century Italian manuscript recovered from a binding, displays a double column, rounded Italian gothic hand, and a series of tiny pinpricks at edges where binding hardware had been attached. Text here contains parts of the homilies from Johannes Chrysostomus' work on the priesthood, "De Dignitate Sacerdotali," and from Saint Gergory's "Homiliae in Evangelia."
[Manuscript Leaf from the 13th Century, France]
A manuscript leaf from France? ca. 1220-1240 sourced from a Latin Bible with text including Zecheriah I. Text displayed in 2 columns, gothic script (texuais formata). Notably, no chapter numberings have been added to this particular Bible leaf.
[Manuscript Leaf from the 13th Century, France]
(France, ca. 1350). One- and two-line initials in gold and color, with abbreviations "A[ntiphona]" and "O[ratio]." From a Book of Hours, in Latin. Hours of the Cross: Ad Terciam ("Crucifige clamitant hora tertiarum"), Ad Sextam ("Hora sexta ihesus est cruci conclavatus"), Ad Nonam ("Hora nona dominus ihesus expiravit").
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