Rice University: Woodson Research Center - 584 Matching Results

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[Letter from Robert Scamardo to Reginald Moore, April 19, 2018]
Letter from Robert Scamardo to Reginald Moore discussing the abandoned graves located on the James Reese CTE Center construction site and the actions the Fort Bend ISD can take to honor the history of the gravesite.
[Letter from William A. Martin to Carolina Fuzetti, October 6, 2017]
Letter from William A. Martin, with the Texas Historical Commission, to Carolina Fuzetti discussing Fort Bend ISD's construction on a tract of land formerly part of the prison farm and Imperial Cemetery.
[Letter from Tiffany Osburn to Reginald Moore, June 23, 2016]
Letter from Tiffany Osburn to Reginald Moore discussing the Texas Historical Commission's Archeology Division's "feasibility study to determine the potential applicability of this remote sensing technology for future use for grave prospection at the Old Imperial Farm" in Sugar Land, Texas. The study is included with the letter.
[Letter from Mark Wolfe to Reginald Moore, April 12, 2016]
Letter from Mark Wolfe to Reginald Moore discussing Moore's request for remote sensing studies on the city-owned property containing the Old Imperial Farm Cemetery to locate any burials present on the land.
[Letter from Pollyanna Clark to Mark Denton, January 15, 2014]
Letter from Pollyanna Clark to Mark Denton discussing the attached Antiquities Permit application, scope of work document, and maps for five acres at Settlers Way Park in Sugar Land, Texas.
[Letter from Barack Obama to Lee P. Brown, September 9, 2009]
Letter from Barack Obama to Lee P. Brown discussing the disparity between sentences for possession of crack cocaine compared to powdered cocaine.
[E-mail from Jim Bruseth to Mr. Moore, August 15, 2006]
Letter from Jim Bruseth to Mr. Moore discussing the meeting that was held in Austin, Texas to determine the possibility of human graves being near the Central State Prison Farm.
[Letter from Reginald Moore to Bob Brinkman, June 19, 2006]
Letter from Reginald Moore to Bob Brinkman discussing the Central State Prison Farm Camp No. 1 dormitory and adjacent cemetery, including the status of plans to demolish the buildings and their eligibility for listing in the National Register of Historic Places.
[Letter from Reginald Moore to Allen Bogard, May 11, 2006]
Letter from Reginald Moore to Allen Bogard discussing the collaboration between the Texas Slave Descendant's Society and the Buffalo Soldiers National Museum and asking to be kept abreast of all plans being made regarding Imperial Sugar and former prison properties in Sugar Land, Texas.
[Letter from Allen Bogard to Reginald Moore, April 14, 2006]
Letter from Allen Bogard to Reginald Moore discussing Moore's efforts to preserve the history of the Sugar Land community and requesting more information about the Texas Slave Descendant's Society.
[Letter from Texas Slave Descendant's Society to Allen Bogard, March 5, 2006]
Letter from the Texas Slave Descendant's Society to Allen Bogard discussing a proposal to preserve the Central State Farm Building and Imperial Prison Cemetery.
[Letter from Reginald Moore to William F. Schwer, June 7, 2005]
Letter from Reginald Moore to William F. Schwer discussing the Texas Slave Descendant's symposium, and the organization's hopes to preserve the old Sugar Mill char house and the Imperial Black Prison facility.
[Letter from Audrey Lawson - April 17, 1998]
Letter from Audrey Lawson discussing checks distributed in remembrance of Mrs. Monica Barrett, whom was a hard working volunteer of the Ensemble Theatre.
[Letter from Sheila Jackson Lee to Walter T. Price - August 7, 1996]
Letter from Representative Sheila Jackson Lee to Walter T. Price congratulating him on his eighty-second birthday and thanking him for his dedication to Houston and expressing admiration for his accomplishments.
[Letter from Bill Clinton to Lee P. Brown, January 3, 1996]
Letter from President Bill Clinton to Lee P. Brown discussing Brown's letter of resignation and thanking him for his efforts as Director of the Office of National Drug Control Policy.
[Letter from Aliyu Mustapha to Clarease Rankin, November 14, 1995]
Letter from Aliyu Mustapha to Clarease Rankin discussing Rankin's presentation at the International Symposium on Nigeria and thanking her for her participation in the symposium.
[Letter from Ann Stock to Lee P. Brown, October 4, 1994]
Letter from Ann Stock to Lee P. Brown discussing the State Dinner honoring President Nelson Mandela and concert by Whitney Houston held at the White House.
[Letter from LinDa Randon Gundy to Audrey Lawson - October 4, 1993]
Letter from LinDa Randon Gundy to Audrey Lawson discussing the delivery of a check by her husband in order to become a board member of the Ensemble Theatre.
[Letter from Bobby Wilson to Clarease Rankin, September 13, 1993]
Letter from Bobby Wilson to Clarease Rankin informing Rankin she has been appointed as part-time instructor in the Thurgood Marshall School of Law for the period September 1, 1993 to December 31, 1993.
[Letter from Dorothy B. Lombard to Community Artists' Collective - November 11, 1992]
Letter from Dorothy B. Lombard to the Community Artists' Collective thanking the organization for its contribution to the Houston Area Urban League and enclosing a membership card and certificate.
[Letter from Michelle Barnes to Deloyd Parker - October 25, 1992]
Letter from Michelle Barnes to Deloyd Parker offering the Community Artists' Collective's support for the SHAPE Community Center's Juvenile Delinquent Prevention Program. The Collective is a partner of the Harembee Project and is offering to provide classes in the arts.
[Letter from Michelle Barnes to Roger Ward - October 15, 1992]
Letter from Michelle Barnes to Roger Ward discussing the Community Artists' Collective's support for designating the Third Ward area of Houston as the neighborhood to initiate the Annie E. Casey Mental Health Project.
[Letter from Audrey Lawson to the Ensemble Theatre Board - September 1, 1992]
Letter from Audrey Lawson to the Ensemble Theatre Board discussing the responsibilities of board members, the meeting dates and times, and fundraising.
[Letter from Michael Galbreth to Michelle Barnes - August 4, 1992]
Letter from Michael Galbreth to Michelle Barnes thanking her for agreeing to speak at the GAG rally for the arts and giving details about the event. The rally takes place on August 18, 1992 and is to show support for the NEA.
[Letter from General Services Administration to Michelle Barnes - March 2, 1992]
Letter from the General Services Administration to Michelle Barnes discussing the commissioning of artwork for the U.S. Custom House in Houston as part of the Art-in-Architecture Program. The sender is arranging a meeting to plan the renovation of the building and discuss the nature of the art that will be placed within it.
[Letter from Houston Area Women's Center to Michelle Barnes - January 10, 1992]
Letter from the Houston Area Women's Center to Michelle Barnes discussing an art show featuring Houston-based female artists to celebrate the fifteenth anniversary of the organization.
[Invitation to" "Art and About" Art Exhibit, 1992]
Letter from The Black Arts Caucus of Houston, Community Artists' Collective, and Barnes-Blackman Galleries inviting the recipient to the "Art and About" event taking place on May 15, 1992. The event benefits "Houston's African-American Artists and Organizations".
[Invitation to Holiday Celebration, 1992]
Letter from Community Artists' Collective inviting the recipient to a holiday celebration at the home of Ann and Len Ivins where the art of Fletcher Mackey will be shown. The event takes place on December 12, 1992 and it benefits the Community Artists' Collective. A map to the residence is featured on the second page.
[Letter from Jacqueline S. Martin to Michelle Barnes - December 30, 1991]
Letter from Jacqueline S. Martin to Michelle Barnes discussing a planned coordination between Neighborhood Centers Inc. and Community Artists' Collective to develop after school, weekend, and summer arts programs for children in Houston from October 1992 through August 1993.
[Letter from Louis Fontenot to Audrey Lawson - February 26, 1991]
Letter from Louis Fontenot to Audrey Lawson discussing their resignation from the Ensemble Theatre Board.
[Letter from Eileen Morris to the Ensemble Theatre Board - February 19, 1991]
Letter from Eileen Morris to the Ensemble Theatre Board discussing her gratitude for their support of her during "Joe Turner's Come and Gone". She also discusses various ventures that could be beneficial for the Ensemble Theatre.
[Letter from Benaye Demby to Audrey Lawson - January 16, 1991]
Letter from Benaye Demby to Audrey Lawson discussing their rotation off the Ensemble Theatre Board.
[Invitation to "Collectibles 91" Art Auction, 1991]
Letter from Community Artists' Collective inviting the recipient to the "Collectibles 91" silent auction taking place on Friday, November 22nd. Works from a selection of Houston artists will be auctioned.
[Letter from National Coalition of 100 Black Women - November 16, 1990]
Letter from the Houston Chapter of the National Coalition of 100 Black Women inviting the recipient to participate in the "Women... Gifted and Black" arts and crafts exhibit.
[Letter from Eileen Morris to the Ensemble Theatre Board - September 28-30, 1990]
Letter to the Ensemble Theatre Board discussing ticket sales, various meetings, and plays in the near future.
[Letter from Tom Black to Audrey Lawson - January 7, 1990]
Letter from Tom Black to Audrey Lawson discussing his resignation from the Ensemble Theatre Board of Directors.
[Letter from Michelle Barnes to W. Ervin - December 7, 1989]
Letter from Michelle Barnes to W. Ervin discussing the scope of the Educational and Economic Development Opportunities Program in the Arts for Youth and requesting space on the campus of James D. Ryan Middle School to host the program.
[Letter from Brenda J. Peters to Audrey Lawson - September 1, 1989]
Letter from Brenda J. Peters to Audrey Lawson discussing her resignation as Treasurer of the Ensemble Theatre.
[Letter from Audrey Lawson - August 11, 1989]
Letter from Audrey Lawson discussing the possibility of term-limited board members possibly still serving as advisors to the theatre.
[Letter From Michelle Barnes to Vivian Harrison, July 15, 1989]
Letter from Michelle Barnes to Vivian Harrison discussing the Community Artists' Collective's art enrichment program for inner-city schools.
[Letter from Margie Walker to Michelle Barnes - January 25, 1989]
Letter from Margie Walker to Michelle Barnes containing an invitation to the Promoting Excellence Poets' Luncheon with Gwendolyn Brooks.
[Letter from Laura Bodenheimer About Awards Ceremony]
Letter from Laura Bodenheimer discussing the schedule of the 1989 volunteer award ceremony for BVA consultants.
[Letter from Mike Dukakis to Lee P. Brown, July 15, 1988]
Letter from Mike Dukakis to Lee P. Brown discussing Brown's recent article published in the Crime Control Digest and expressing regret that Dukakis did not have the opportunity to spend time with Brown in Houston the prior month.
[Letter from Internal Revenue Service to Community Artists' Collective - March 31, 1988]
Letter from the Internal Revenue Service to Community Artists' Collective discussing the collective's newly granted status as a tax-exempt organization. The letter also advises that the organization's status under section 509(a)(1) and 170(b)(1)(A)(vi) are not determined yet.
[Letter from Sol Staller, March 12, 1988]
Letter from Sol Staller announcing the commemorative journal for Shearith Israel Congregation's diamond jubilee and includes information about purchasing full, half, or quarter pages in the journal.
[Letter from Henrietta Krumholz to Shearith Israel Congregation, February 24, 1988]
Letter from Henrietta Krumholz to the members of Shearith Israel Congregation discussing the diamond jubilee of Shearith Israel Congregation including committee members and the planned events.
[Letter from Barnes-Blackman Galleries - January 24, 1988]
Letter from Barnes-Blackman Galleries inviting the recipient to an exhibition of works curated by Community Artists' Collective titled "The Conscience of Houston Black Women Artists".
[Letter from Jack M. Rains to Nan Morris-Tala - July 9, 1987]
Letter from Texas Secretary of State Jack Rains to Nan Morris-Tala discussing the incorporation of the Community Artists' Collective's organization and the tax laws that the organization is subject to.
[Letter from Sarah Trottey and Michelle Barnes to Linda Bodnar-Balahutrak - April 27, 1987]
Letter from Sarah Trotty and Michelle Barnes to Linda Bodnar-Balahutrak discussing the joint sponsorship of Barnes Blackman Gallery and the Texas Southern University for two exhibitions of works by Black women artists from Texas.
[Letter from Michelle Barnes to Dinah Godwin - 16 April 1987]
Letter from Michelle Barnes to Dinah Godwin discussing the establishment of a tax exempt organization and the services that the organization would provide for the Houston art community.
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