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[Card from Maya Angelou to Sterling Houston - July 17, 1989]
Card from Maya Angelou to Sterling Houston, prominent San Antonio playwright. The hand-written message is written fondly towards Houston, his talent, and his family.
[Letter from Maya Angelou to Sterling Houston - July 17, 1989]
Letter from Maya Angelou to Sterling Houston, a prominent Texan playwright. She sends her praise for the Modernization of Sainthood, a stage play by Houston, and wishes him the best in his professional career.
[Letter from Maya Angelou to Sterling Houston - November 11, 1988]
Typed letter from Maya Angelou to Sterling Houston, a prominent Texan playwright. She thanks him for a previous letter and wishes him well on two works by the author: Driving Wheel and A'Lelia.
[Letter from Maya Angelou to Sterling Houston - November 11, 1988]
Letter from Maya Angelou to Sterling Houston, prominent San Antonio playwright. She writes from her teaching position at Wake Forest University to send her thanks and well wishes to Houston's work. Personal matters are also briefly discussed.
[Letter from Maya Angelou to Sterling Houston - November 11, 1988]
Letter from Maya Angelou to Sterling Houston, prominent San Antonio playwright. She writes to thank him for a previous letter and best wishes on two of Houston's plays - A'Lelia and Driving Wheel.
[Letter from Maya Angelou to Sterling Houston - November 1995]
Typed note from Maya Angelou to Sterling Houston, prominent San Antonio playwright. She wishes the best for Houston and his players. Instructions and information about proper flower care and business information from the Last Straw Florist indicates that flowers accompanied the note.
[E-mail from Arnold Aprill to Sterling Houston - January 17, 2002]
E-mail from Arnold Aprill to Sterling Houston, prominent San Antonio playwright. He has received a script for one of Houston's plays, Cameoland, and is writing to comment on several parts of the story. This includes notations on character development, music, and imagery.
[Card from Lorraine Aprill to Sterling Houston - July 2000]
Card from Lorraine Aprill to Sterling Houston, prominent San Antonio playwright. The card was sent on the occasion of the death of Houston's mother. The card expresses sympathy and comfort for the event. The front of the card has been printed with a painterly image of a bowl of green apples.
[Letter from Frank R. Aqueno to Sterling Houston - October 15, 1992]
Letter from Frank R. Aqueno to Sterling Houston, prominent San Antonio playwright. He writes to invite Houston to his provocative one-man performance piece titled Queer Pier. He encloses a xeroxed newspaper clipping from The Advocate about his play. A third clipping shows a portrait of the writer wearing sunglasses, shorts, and an American flag bandana in front of a chain-link fence.
[Postcard from Richard and Jennifer Armstrong to Sterling Houston - May 8, 1995]
Postcard from Richard and Jennifer Armstrong to Sterling Houston, prominent San Antonio playwright. A short note on the back discusses problems with a project and terrible weather. They hope to go to San Antonio occasionally. The front cover shows a view of Mt. Lassen and Manzanita Lake in Mt. Lassen, California.
[Greeting Card from Richard and Jennifer Armstrong to Sterling Houston - December 1995]
Greeting card from Richard and Jennifer Armstrong to Sterling Houston, prominent San Antonio playwright. They hope to see him again when they travel back to Texas. A second card has been placed inside it: an announcement for the birth of Simon Alexander Ghebreyesus. It was sent much later, however, according to the child's birth date.
[Letter from Robert Atkins to Friends and Family - 1996]
Letter from Robert Atkins to friends and family. He writes informing them of recent news in his professional career, including media collaborations with television broadcasting companies and updates on two of his books, TalkBack! and ArtSpeak. A few personal details are also given.
[Letter from Michele Autenrieth to Sterling Houston - May 6, 1997]
Letter from Michele Autenrieth, account executive of Guerra DeBerry & Company, to Sterling Houston, prominent San Antonio playwright. She writes to invite him to be a judge for the Annual Citicorp Employee Art Contest, where Citicorp employees present sculptures, paintings, and other forms of art.
[Thank You Card from Roger A. Brown]
Thank you card from Roger A. Brown. Inside the card, he writes: "We couldn't have done it without you (smile)." The front of the card has been printed with "Thank You" in gold capital letters.
[Letter from A'Lelia Bundles to Sterling Houston - December 29, 1990]
Letter from A'Lelia Bundles to Sterling Houston, prominent San Antonio playwright. It appears there was a woman, A'Lelia Walker, who inspired Mr. Houston to write a stage play. Ms. Bundles writes to praise Houston on the play and inform him of other news in theatre.
[Letter from Park Chambers, Tim Doud, and Lawrence Steger to Sterling Houston - December 22, 1992]
Letter from Park Chambers, Tim Doud, and Lawrence Steger of the School of the Art Institute of Chicago to Sterling Houston, prominent San Antonio playwright. They write to thank him for allowing them to house his documentation. It appears that Mr. Houston's contribution was helpful to an exhibition titled Private/Public. The School of the Art Institute played a seemingly large role in the exhibit as well.
[Letter from Raymond Cheung]
Letter from Raymond Cheung to an unidentified recipient. The short letter is being sent in the hopes of acquiring a television or radio internship. Raymond has included his resume.
[Letter from Sandra Cisneros to Sterling Houston - August 17, 2003]
Letter from Sandra Cisneros to Sterling Houston, prominent San Antonio playwright. She writes to congratulate him for receiving a 2003 Alfredo Cisneros Del Moral Foundation Award, a fifteen hundred dollar award with no restrictions as to its use. A second letter is included that reads as a press release for the award, with mention of other award winners and the award history.
[Letter from Sandra Cisneros to Sterling Houston - July 5th, 1996]
Letter from Sandra Cisneros to Sterling Houston. She tells him she "saw these and knew they were for your altar." She wishes him the best and to keep growing.
[Letter from Sandra Cisneros to Sterling Houston - March 9, 2006]
Letter, sticker, pamphlet, and photocopied newspaper clippings from Sandra Cisneros to Sterling Houston, prominent San Antonio playwright. She writes to praise his participation in a group reading panel sponsored by Amnesty International and other organizations. The event, "We Say No: Writers Against Torture", brought together a variety of academics and writers for one night in San Antonio Central Library. The material enclosed by Cisneros corresponds with the event.
[Letter from Sandra Cisneros to Sterling Houston - November 4, 1997]
Letter from Sandra Cisneros to Sterling Houston, prominent San Antonio playwright. She invites him to a celebration honoring MacArthur guests and the stage play "Ofrendas del Alma, del Corazon, y de la Mente" (translated to Offerings from the Soul, the Heart, and the Mind). At the end of her letter, she provides instructions to her home.
[Letter from William W. Cook - April 7, 1998]
Letter from William W. Cook, chair of the National Black Theatre Summit at Dartmouth College, to participants of the National Black Theatre Summit. He writes to thank those involved for their work and participation. The gathering comprised of a conference and discussions on the future of theatre affecting, concerning, or about African-Americans. Several initiatives are mentioned, mandates that have been met, and areas that still need attention.
[Letter from Arlene J. Crewdson to Dr. Peter Wolkonsky - January 10, 1989]
Letter from Arlene J. Crewdson, artistic director of the O'Rourke Center for the Performing Arts, to Dr. Peter Wolkonsky. She sends word that she enjoyed reading Sterling Houston's play, A Brief History of American Song, but that her company will be unable to produce it due to prior commitments.
[Letter from Arlene J. Crewdson to Peter Wolkonsky - January 10, 1989]
Letter from Arlene J. Crewdson, artistic director of the O'Rourke Center for the Performing Arts, to Peter Wolkonsky. She writes that because of preexisting commitments, her and her company will be unable to produce a play by Sterling Houston - A Brief History of American Song. However, she is interested in reading other plays for possible future productions.
[Letter from Arlene J. Crewdson to Sterling Houston - May 8, 1989]
Letter from Arlene J. Crewdson, artistic director of Pegasus Players, to Sterling Houston, prominent San Antonio playwright. She writes to send a list of Chicago-based theatres who might want to produce Houston's work.
[Letter from Nan Cuba to Sterling Houston - December 19, 2001]
Letter from Nan Cuba to Sterling Houston, prominent San Antonio playwright. The executive director of Gemini Ink, Nan writes to Houston to inform him of an upcoming fall fundraising campaign. She hopes to convince Houston, a past donor, to provide a contribution to the non-profit organization.
[Letter from Lillie DeAnda to Sterling Houston - October 10, 1995]
Letter from Lillie DeAnda to Sterling Houston, prominent San Antonio playwright. She thanks him for helping and attending the SAYL (likely the San Antonio Youth Literacy organization) Gala kick-off party. She is happy that he will attend at a forthcoming gala in March.
[Letter from Karen DeVinney to Sandra Mayo - January 31, 2003]
Letter from Karen DeVinney of the University of North Texas Press to Sandra Mayo, director of the Center for Multicultural and Gender Studies at Southwest Texas State University. In trying to publish a collection of plays by Sterling Houston, Mayo has submitted the work-in-progress to DeVinney and an anonymous reader. The reader's report is included after the letter, with the conclusion that the publication will be much richer with a few revisions. DeVinney hopes Mayo can make the revisions and resubmit.
[Letter from Karen DeVinney to Sterling Houston and Sandra Mayor - August 13, 2004]
Letter from Karen DeVinney, managing editor from the University of North Texas press, to Sandra Mayo and Sterling Houston. She writes to both to inform them of edits that have been made to a manuscript titled Myth, Magic, and Farce. The manuscript is a collection of plays by Houston, a prominent San Antonio playwright. DeVinney goes on to talk about other stages that need to be met before publication.
[Letter from Eduardo Diaz to Sterling Houston - July 10, 1990]
Letter from Eduardo Diaz, director of the San Antonio Department of Arts and Cultural Affairs, to Sterling Houston, prominent local playwright. He writes informing him of his candidacy for an Individual Artist Grant. The rest of the letter details what is to come and how the decision will be made in the upcoming weeks.
[Letter from Eduardo Diaz to Sterling Houston - July 23, 1990]
Letter from Eduardo Diaz, director of the Department of Arts and Cultural Affairs in San Antonio, to Sterling Houston, prominent local playwright. Mr. Diaz writes to inform Mr. Houston that he is one of eleven other local artists to receive a grant and that confirmation of his grant will take place in the upcoming months.
[Letter from Eduardo Diaz to Sterling Houston - May 14, 1999]
Letter from Eduardo Diaz, director of the Department of Arts and Cultural Affairs, to Sterling Houston, prominent San Antonio playwright. His department has benefited from a one hundred thousand dollar allocation by the Community Revitalization Action Group. The funds were given with the intention of supporting art and cultural programs in neighborhoods, and the letter asks of Sterling to participate in a meeting to decide on guidelines for funding and selecting projects.
[Letter from Eduardo Diaz to the Virginia Center for the Creative Arts - November 8, 1995]
Letter from Eduardo Diaz, director of the Department of Arts and Cultural Affairs, to the Virginia Center for the Creative Arts. He is writing on behalf of Sterling Houston, prominent San Antonio playwright, so that he may be awarded a fellowship with the Center. Diaz notes that Houston has been instrumental in establishing alternative theater and wholeheartedly recommends him to their program.
[Letter from Mary Duren to Project Director of the Performance Assistance Grant]
Letter from Mary Duren, executive director of the Texas Composers Forum, to project director of the Performance Assistance Grants organization. She writes to send a check and a Report Form that needs to be sent back to the Forum.
[Letter from Kitty Felde to Sterling Houston - June 9, 1999]
Letter from Kitty Felde to Sterling Houston, prominent San Antonio playwright. She writes from Los Angeles to send word of her most recent play, Erdemovic. It tells the story of a young man who forcibly murdered during the fall of a United Nations post in the former Yugoslavia. She includes a copy of her resume and a synopsis of Erdemovic.
The Music of Robert Xavier Rodriguez
This promotional catalog provides a brief biography of the composer Robert Xavier Rodriguez and descriptions of several of his orchestral, operatic, choral, and other works that are available through his publisher as either sheet music or recordings.
[Letter from Edward D. Garza to Sterling Houston - April 25, 2005]
Letter from Edward D. Garza, mayor of San Antonio, to Sterling Houston, prominent San Antonio playwright. He writes to thank him for his participating in the Steering Committee for The Cultural Collaborative (TCC): A Plan for San Antonio's Creative Economy. The committee was put in place to find solutions to support art and cultural programs in the city. With its planning stage over, he discusses the future of the committee, including a new committee to be formed. He invites him to submit nominations for members.
[Letter from Edward D. Garza to Sterling Houston - August 6, 2003]
Letter from Edward D. Garza, mayor of the city of San Antonio, to Sterling Houston, prominent local playwright. He writes to invite him to join the Cultural Collaborative Steering Committee, a group composed of leaders in the arts community. The members, chosen from the private and public sector, would have a say in the growth and support of San Antonio's cultural sector.
[Arts & Entertainment Article in The Ranger Newspaper by Marshall Gause]
Photocopied article from The Ranger, the student-run newspaper at San Antonio college. Written by student Marshall Gause, the article discusses an upcoming festival coordinated by the school's art department which focuses on the work of Jean Cocteau, a celebrated French artist. Among the events is a multimedia performance by Steven Bailey and Sterling Houston, prominent local playwright and director of the Jump-Start Performance Company.
[Letter from Phill George to Sterling Houston - February 2nd, 1996]
Letter from Phill George to Sterling Houston. He writes from New York thanking him for sending Miranda, a play written by Houston. He hopes that once in San Antonio, he can work on Frankly, Scarlett at the Josephine Theatre.
[Card from Elizabeth and Ficre Ghebreyesus to Sterling Houston - April 1998]
Card from Elizabeth Alexander and Ficre Ghebreyesus to Sterling Houston, prominent San Antonio playwright. They write to announce the birth of their son, Solomon Kebede Ghebreyesus. It includes his birth date, weight, and length.
[E-Mail from Craig Gingrich-Philbrook to Paul Bonin-Rodriguez - February 16, 2003]
E-Mail from Craig Gingrich-Philbrook to Paul Bonin-Rodriguez. He fondly writes to Paul informing him that he has just watched his play, Memory's Caretaker, on a tape that Paul sent. He proposes that the play be used as part of a printed forum discussion in Text and Performance Quarterly (TPQ), a scholarly journal. He asks Paul if he would be interested in participating and thanks him for sharing his work with him.
[Letter from John Glines to Sterling Houston - June 15, 1999]
Letter from John Glines of The Glines, a non-profit organization for gay arts, to Sterling Houston, prominent San Antonio playwright. He writes thanking him for showing an interest in The Glines, but that they are not looking for new material to produce.
[Letter from Henry B. Gonzalez to Sterling Houston - April 22, 1991]
Letter from Henry B. Gonzalez, member of the House of Representatives, to Sterling Houston, prominent San Antonio playwright. Houston wrote to Gonzalez in a prior correspondence about Out of a Time of Plague, one of his stage plays, fearing censorship. Mr. Gonzalez promises to continue to support funding for the National Endowment of the Arts and artistic expression.
[Letter from Marcus Goodyear to Sterling Houston - July 18, 2003]
Letter from Marcus Goodyear, English teacher at Sandra Day O'Connor High School, to Sterling Houston, prominent San Antonio playwright. He writes to send word of a student literary magazine called Limestone. At the bottom of the letter, he has hand-written a personal note to Sterling thanking him for a writing workshop.
[Letter from Midge Graybeal to Sterling Houston - December 27, 1990]
Letter from Midge Graybeal, executive director of the San Antonio Business Committee for the Arts, to Sterling Houston, prominent local playwright. She writes to inform him of his nomination for the 1991 Artist of the Year. The award event will encompass a daytime luncheon where the winner will be announced.
[Cathy Crimmins Book Review by Katie Grinch]
Review of the Cathy Crimmins book - How the Homosexuals Saved Civilization: The True and Heroic Story of How Gay Men Shaped the Modern World - by Katie Grinch. She gives several bullet points on how gay culture has influenced mainstream culture, as pointed out in the book. The last page is an excerpt from Crimmins' book.
[Letter from Adrien-Alice Hansel to Sterling Houston - September 1, 2004]
Letter from Adrien-Alice Hansel, literary manager of the Actors Theatre of Louisville, to Sterling Houston, prominent San Antonio playwright. The letter informs Mr. Houston that his plays - Le Griffon and The Ballad of Henry Brown/Miz Johnson & Mr. Jones - have not been selected for production at an upcoming festival.
[Letter from Dr. Paul Harford to Sterling Houston - September 5, 2003]
Letter from Dr. Paul Harford to Sterling Houston, prominent San Antonio playwright. He writes sending him a list of information regarding medication and treatment of the HIV virus. His last item on the list is the contact information of a physician, Dr. Luis Alfredo Cisneros.
[Greeting Card from Tony Hargrove to Sterling Houston - March 2001]
Card from Tony Hargrove of the Ella Austin Community Center to Sterling Houston, prominent San Antonio playwright. He writes fondly about meeting him, and hopes to see him again in the fall. The front of the card has been printed with the Ella Austin logo.
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