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1919 Confirmation Class
A black and white photograph of a confirmation class standing in front of the Danevang Lutheran Church, which has the inscription "ANS GAR KIRKE" above the doorway. The class consists of nine girls and two boys. The girls are wearing white dresses and a few of them have flowers pinned to their waists. The boys wear dark formal attire and dark hats. A clergyman identified as Reverend N. Moller accompanies the class.
1922 Confirmation
Black and white postcard featuring on its front the image of a confirmation class belonging to the [Danevang Lutheran Church]. The class, comprised of four girls and five boys, sit on a bench in front of the church building, which has its doors and windows open. The girls are seated on the bench with an older man identified as Pastor Rodlhom, while the boys stand behind them dressed in suits. Pastor Rodlhom is wearing a light-colored suit and holding a hat in front of his lap.
1923 Confirmation
A black and white postcard of a confirmation class belonging to the [Danevang Lutheran Church]. On the front of the postcard is an image of the class standing by a niche of the building's exterior. Eight girls in white dresses are seated in front of a row of five boys in dark suits and ties. The girls' feet rest on a grassy lawn. An older male identified as Pastor Rodlhom stands in the middle of the back row amongst the boys.
1924 Confirmation
A black and white photograph of a confirmation class belonging to the [Danevang Lutheran Church]. Four girls in white dresses stand in front of a row of five boys in dark suits and ties. They are posed before a set of doors.
1925 Confirmation
A black and white photograph of a confirmation class belonging to the {Danevang Lutheran Church]. The group, consisting of five boys and six girls, stand on the steps in front of the church doors. The boys are dressed in dark three piece suits while the girls are wearing white dresses. Two boys have hats; one holds his hat in front of his legs while the other holds his hat down by his side. A label has been affixed to the front of the photograph, listing in handwriting the names of those in the picture.
1927 Confirmation
Black and white photograph of a confirmation class standing in front of the [Danevang Lutheran Church]. Three girls in white dresses and eight boys wearing three-piece suits stand on the steps of the building. The church's front windows and doors are visible behind the group. A decorative border frames the picture.
1929 Confirmation
A black and white photograph of a mixed group of nine male individuals and seven girls posed for their confirmation class picture. They stand on the steps in front of the [Danevang Lutheran Church]. The church's front windows and doors are visible. The men are wearing suits and the girls are wearing white dresses. Many of the girls have a flower pinned to their dress. The photograph is framed in a decorative border.
1931 Confirmation
Black and white photograph of a confirmation class of the [Danevang Lutheran Church]. The class is comprised of thirteen girls and four boys who are arranged in two rows and are either sitting or standing. The girls are wearing white dresses and the boys are wearing dark suits and ties. An older man identified as Pastor N.P. Hald stands to the right of the class. Behind the group three windows are visible.
1934 Confirmation
A black and white photo of a confirmation class standing on the steps of a church. An elderly couple identified as Pastor N.P. Hald and Mrs. Hald stand in the middle of the youth, who are dressed formally.
1936 Confirmation
Black and white photograph of a confirmation class standing in front of the [Danevang Lutheran Church]. A mixture of boys and girls dressed in formal attire are arranged on the steps before the church building which has the inscription "ANS GAR KIRKE" written on the arched window above its doors. Two other windows on either side of the doors are visible behind the group.
1936 Confirmation
Black and white photo depicting the girls of the confirmation class of 1936 standing on the steps of the [Danevang Lutheran Church]. The girls, who are all wearing white dresses, are arranged in two rows. They are accompanied by a man in a dark suit and tie identified as Pastor A.E. Frost. Behind the group, the church doors and a faint inscription above it as well as two windows are visible.
1941 Confirmation
Black and white photograph of the confirmation class standing in front of the [Danevang Lutheran Church]. Seven girls and six boys stand arranged in three rows in front of the church building. They are accompanied by an older man, identified as Pastor A.E. Frost on the left. Behind the group, the church doors and two windows are visible. Above the building's doors is the inscription "ANS GAR KIRKE." On the back of the photograph is a note written in Danish.
1944 Confirmation
Black and white photograph of the 1944 confirmation class standing in front of the [Danevang Lutheran Church], whose doors are open. Six girls in white dresses with flowers pinned to their chests stand in the front row while six boys, also formally dressed, stand in the back. They are accompanied by a man on the right identified as Pastor Vaghn Duus. The photograph has a decorative border above which a handwritten note in Danish was penned.
[4th U.S. Memorial Cavalry Regiment Dance]
Photograph of the 4th U.S. Memorial Cavalry Regiment Dance at the Texas Folklife Festival in San Antonio, Texas. In the photograph, members of the regiments are dancing with their partners on a grassy area outside of a brick building decorated with American flag bunting.
[4th U.S. Memorial Cavalry Regiment Dance at the Texas Folklife Festival]
Photograph of the 4th U.S. Memorial Cavalry Regiment Dance at the Texas Folklife Festival in San Antonio, Texas. In the photograph, members of the regiments are dancing with their partners on a grassy area outside of a brick building decorated with American flag bunting.
[90th Homecoming Celebration, Danevang Lutheran Church]
Color photograph of a group of people gathered together for a meal in the mess hall at an unidentified location. Several adults are seated at long banquet tables covered in gingham-patterned table covers; many of them have platefuls of food in front of them. Some concession style windows where food is being served are visible to the left; a few people are lined up to be served. Above the windows is a banner that reads, "Vars' Co!" as well as a few Danish flag decals.
[Abelone Wind in Her Confirmation Dress]
Postcard featuring a black and white portrait of a young woman, identified as Abelone Wind, standing on top of a couple of intricate rugs. Behind her is a painted backdrop. She is wearing a white Confirmation dress, a white bow in her hair, and black shoes. Her right arm is resting on a elaborately woven wicker chair.
Accordion Player
Copy print of a young man, identified as Glen Hutson, standing on a wooden boardwalk leaning against a railing. Behind him, there is a disorderly woodland of different species of plants and trees. He wears a hat, pants and matching waistcoat, and small bow-tie. With both hands, he holds an accordion. Accompanying information states that Glen married Ester Knudsen and had one child, Elsie Laverne Hutson Christensen.
[Accordion Player in Joe Simon Cajun Band]
Photograph of a musician in the Joe Simon Cajun Band playing accordion at the Texas Folklife Festival in San Antonio, Texas. He is wearing a white dress shirt, jeans, and a cowboy hat. Another band member is somewhat visible in the background.
[Accordionist for Round Top Brass Band]
Photograph of a male accordionist performing with the Round Top Brass Band at the Texas Folklife Festival in San Antonio, Texas. He has a handlebar mustache and is smiling as he plays his black and white accordion. He is wearing a brown corduroy visor and a white shirt with the sleeves rolled up.
[Accordionist for Wurstfest Opa Band]
Photograph of the Wurstfest Opa Band performing at the Texas Folklife Festival in San Antonio, Texas. In the photograph, the band's accordionist is seated as she plays. She wears a check patterned dress, white blouse, and glasses.
[Accordionist with Round Top Brass Band]
Photograph of a male accordionist performing with the Round Top Brass Band at the Texas Folklife Festival in San Antonio, Texas. He has a mustache and is playing a black and white accordion. He is wearing a brown corduroy visor and a white shirt with the sleeves rolled up. A tuba player is visible behind him on the right.
[Ace Reid on Storytelling Stage]
Photograph of Ace Reid, cartoonist and humorist from Kerrville, on the storytelling stage at the Texas Folklife Festival in San Antonio, Texas. Wearing a cowboy hat, aviator sunglasses, and a plaid shirt, he is speaking into a microphone which he is holding.
[Ace Reid on Storytelling Stage]
Photograph of Ace Reid, cartoonist and humorist from Kerrville, on the storytelling stage at the Texas Folklife Festival in San Antonio, Texas. Wearing a cowboy hat, aviator sunglasses, and a plaid shirt, he is speaking into a microphone which he is holding. Behind him a rocking chair and a small hay bale is visible.
[Adan Hernandez in a Room of People]
Photograph of a room with chairs in a row with numerous amounts of people. Among this crowd is artist Adan Hernandez. There is art hanging on the walls and most of the people are either in the aisle between the chairs or in the far corner of the room.
[Adobe Making Demonstration]
Photograph of Bill Corkery demonstrating how to make adobe at the Texas Folklife Festival in San Antonio, Texas. Bill leans over the pit of adobe, raking the mixture as festival participants watch.
[Adobe Making Demonstration]
Photograph of Bill Corkery demonstrating how to make adobe at the Texas Folklife Festival in San Antonio, Texas. Bill leans over a wooden trough as he pours water into the individual sections. Several festival stand behind Bill, watching the demonstration.
[Adobe Making Demonstration]
Photograph of Bill Corkery demonstrating how to make adobe at the Texas Folklife Festival in San Antonio, Texas. Bill leans over the wooden trough, shoveling an unknown substance into the individual sections. A festival participant stands behind Bill, watching the demonstration.
[Adolfo Mexiac Accepts Honorary Citizen Award]
Photograph of Adolfo Mexiac accepting an Honorary Citizen award from the Mexic-Arte Museum in Austin, Texas. Mexiac, center, wears a black suit. A man standing on the left presents the award certificate to Mexiac. Two men stand on the right and applaud. They stand in front of a mural that is red, white, and black in color.
[Adolfo Mexiac Signs Prints]
Photograph of Adolfo Mexiac autographing prints of his work. Eight prints of the same work are spread across a table as they are signed in pencil by Mexiac, who sits on the left. Mexiac wears a white polo shirt and black glasses. The prints depict a man kneeling on the ground while holding a sword.
[Adolfo Mexiac Signs Prints for Onlookers]
Photograph of Adolfo Mexiac autographing prints of his work. Eight prints of the same work are spread across a table as they are signed in pencil by Mexiac, who sits on the left. Mexiac wears a white polo shirt and black glasses. The prints depict a man kneeling on the ground while holding a sword. A man on the right looks over Mexiac's shoulder. Two others look on in the background.
[Adrian Parra and Unnamed Woman]
Photograph of Adrian Parra and an unnamed woman in Adrian Parra's Sterilized for Your Protection exhibit at the Mexic-Arte Museum in Austin, Texas. Parra, right, wears a dark suit and glasses. In his lap rests a book. The unnamed woman, left, wears a red jacket and holds a cup of wine in her left hand. Both have amused expressions on their faces. Plastic cups of wine sit on the table in front of them.
[Adrian Parra, Herlinda Zamora, and Unnamed Woman]
Photograph of three individuals in Adrian Parra's Sterilized for Your Protection exhibit at the Mexic-Arte Museum in Austin, Texas. The exhibition ran from January 1st, 2001 to February 24th, 2001. An unnamed woman, left, wears red and black. She holds a wine glass and cigarette in her right hand. Adrian Parra, center, wears a dark suit. A book rests in his lap. Herlinda Zamora, right, wears a sleeveless dress in red, white, and black colors.
[Adults Operating Booth for Día de los Muertos]
Photograph of a group of adults operating a booth. There is a table in front of them that has newspapers acting as a table cover. There are other supplies on the table and a box.
[Aerial photograph of an unidentified location]
Aerial photograph of an unidentified location.
[Aerial Photograph of Fort Martin Scot and the Braeutigam House]
Copy print of an aerial photograph of Fort Martin Scot and the Braeutigam house. The house and barn are near a road with cars traveling on it.
[Aerial Photograph of School]
Aerial photograph of a school building surrounded by farmland. The date Oct. 1954 is written on the back.
[Aerial Shot of Noche de Fiesta Navideña Auction]
Photograph of Noche de Fiesta Navideña, an auction of divine art presented by the Mexic-Arte Museum in Austin, Texas. Photograph was taken from above. Three pillars at the center of the room are painted red. Patterned pieces of colored tissue paper are strung between the pillars. Cut out from the leftmost paper is the word "bienvenidos." A Christmas tree is set up behind the column that is farthest to the left. On the floor are many people milling around. Some stand in circles, while others examine items presented on tables and hung upon walls. A selection of crosses can be seen on the leftmost wall.
[Aerial View at Auction]
Photograph of patrons at Noche de Fiesta Navidena (Divine Art Auction: Prayers for Peace), an auction of divine art hosted by the Mexic-Arte Museum in Austin, Texas. The auction was held on December 7th, 2001. The photograph was taken from above. Patrons mill around a gallery. Some hold beverages. A Christmas tree is set up behind a column in the middle of the room. Colorful banners hang between columns. The leftmost banner reads "Bienvenidos."
Aerial View of Brodsgaard Farm
Copy negative of an aerial view of the Brodsgaard family farm in Wharton County, Texas. In the image, a large field is pictured, and in the center of the field, there is a two-story home as well as several other one-story buildings. According to sources, the farm belonged to Soren Brodsgaard, and was later given to his son, Chris Brodsgaard.
[Aerial View of Cross Mountain and Fredericksburg, TX]
Aerial view of Cross Mountain and Fredericksburg, Texas. In the center of the mountain is a cross and in the background fields and the town can be seen.
Aerial View of Danevang Co-op
Copy negative of an aerial view of the Danevange Farmers Cooperative Society, as noted on the front of the photograph. The co-op is located in Danevange, Texas.
[Aerial View of Danevang Farmers Co-op]
Black and white photograph of an aerial view of a group of buildings belonging to the Danevang Farmers Co-op. Dirt road pathways are visible between the buildings. The Lummus Cotton Mill, featured in other related photographs, is situated near the back of the property. To the right of it is a metal, bridge-like structure that tapers off into a giant ditch in the top right corner. At the bottom right corner is a building that says "Farmers Co-operative Society, Inc." A few cars are parked in various areas of the property.
[Aerial View of Danevang Farmers Co-op and Surrounding Properties]
Black and white photograph of an aerial view of a group of buildings belonging to the Danevang Farmers Co-operative. The plot of land is adjacent to other properties on the right of the photograph where smaller buildings are visible. In the center of the photograph is a two-story building that has the words "Farmers Co-operative Society, Inc." on its exterior. Near the back of the property is a large ditch that is connected to the Lummus Cotton Mill on the left by a metal rail. Dirt roads provide pathways between the buildings.
[Aerial View of Danevang Lutheran Church]
Black and white photograph of an aerial view of the Danevang Lutheran Church and the surrounding land, which includes a cemetery. A group of people are gathered outside of the front of the church. A system of dirt roads is visible going around the perimeter of the land. The plot of land just adjacent to the church's land is the cemetery; it has numerous tombstones planted on its surface.
[Aerial View of Danevang, Texas]
Black and white photograph of the city of Danevang, Texas viewed from above. A long road stretches throughout the city's length. On the bottom left corner is a group of buildings known as the Danevang Farmers Co-operative.
[Aerial View of Drawbridge]
Aerial photograph of Pleasure Pier Drawbridge. A large ship has just passed through the bridge and it is still drawn. There are cars waiting for the ship to pass, and the town can be seen on the other side of the river. A stamp on the back of the photograph identifies the photographer as J. C. Watkins.
[Aerial View of Flood]
Aerial photograph of the 1915 flood in Port Arthur. The streets are covered in water, and houses can be seen into the distance. The caption on the photograph reads, "Looking west from wireless tower at college. August 16-17 Flood, 1915."
[Aerial View of Procter Street]
Photograph of an aerial of view of Procter Street from the Kansas City Southern Train Station, in Port Arthur, Tx. A handful of cars can be seen on the street, which is in the center of the photograph and extends into the distance. There are other intersecting streets with buildings lining them that create a grid layout. A sticker on the back of the photograph identifies the photographer as James Everett from Groves, Texas.
[Aerial View of Ship Passing Through Drawbridge]
Aerial photograph of a ship and a town on the edge of a river. The ship is passing through a bridge identified as Please Pier Drawbridge, and cars can be seen waiting for it to pass. The buildings extend into the background.
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