Press card photograph of Joe Abreu. The car features a small photograph of Joe Abreu in the upper left corner. It features Joe's signature along with representative Lester Ketterman's signature. The card includes instructions to fire and police officials to allow media access to Joe.
Postcard with a felt kangaroo pasted onto a paper card. A gradient was applied to the card, transitioning from purple to blue. The card reads "Hearty Greeting. From the land of the Wattle and Kangaroo, Come heartfelt wishes, warm and true; May happiness each year increase, And future days roll on in peace." An inscription underneath the felt kangaroo reads "The Australian Kangaroo." A letter written in Spanish is addressed to Sabino Gomez in Chicago Illinois, from A. Guzmani in Sydney Australia.
Photograph of circus members doing laundry outside of a large tent. Pants and shirts are laid out on the grass around the tent as men wash the remaining clothes.
Photograph of a man dressed in a baseball uniform standing outside of a Barnum and Bailey circus wagon. The uniform consists of a loose-fitting shirt, striped hat, and striped pants. A large protective vest is fastened around his neck. He carries a ball, glove, and face mask in his hands. An illegible letter is written on the back of the photograph.
Photograph of a man standing on a mountain. He is wearing a collared shirt, tie, slacks, and suspenders, while raising his hat off of his head in salute with his right hand.
Photograph of Sabino Gomez performing with the Abreu family at the Mendota Carnival. Sabino Gomez carries two members of the Abreu family on his shoulders on a stage in the middle of the town square. Onlookers surround the stage and watch the performance.
Photograph of a music and dance group in costume. A woman stands on a table in the middle of the group, while two men play guitar to the left and right of her. Two women with mandolins in their laps sit in chairs in front of the guitar-playing men. Four other men stand around the group of people with the instruments. Several roses are strewn on the ground around the group.
Photograph of a two-story home in Long Beach, California. Wide steps lead up to a large front porch with square columns supporting the second story porch. Many rectangular windows decorate both floors of the wooden home. A sidewalk runs across the small undecorated yard.
Photograph of a house in Long Beach, California. The house has two stories and is made of a wooden frame. Massive rose bushes wind up the front columns that support the second story balcony. A short picket fence surrounds the home. Trellis work surrounds the large window on the left side of the home. A hand-written letter in Spanish says the house belongs to Nena's grandparents in Long Beach, California.
Postcard depicting the New York skyline from Jersey City. The buildings along the skyline are labeled with their appropriate names. A letter is written on Spanish on the back of the photograph.
Postcard photograph of an observation point at the Pecos River Canyon. The photograph depicts a concrete bridge dividing the mountain in the foreground from the rest stop. The bridge is part of U.S. Highway 90. The rest stop features a brick awning topped with large leaves and a gravel floor. A car is parking outside of the awning. Below, the canyon is visible, as well as a large train trestle stretching across two mountains. An inscription on the front of the postcard reads "Observation Point - Pecos River Canyon U.S. 90 Between Del Rio and Langtry, Texas. A letter is written in Spanish on the back, from Alfredo to Federica Abreu.
Photograph of the Olaguibel Trio. The portrait of the group consists of an older man and two boys. The performers are wearing suit jackets with bow ties. An inscription on the front of the photograph reads "Recuerdo del Trio Olaguibel." A second inscription underneath the main title reads "J. Zazuel, F. Culiacan Sin Libertad 84."
Photograph of an aerialist performing a stunt on a high wire at an outdoor performance. Crowds of onlookers sitting in bleachers situated around the ring watch the performance.
Photograph of performers and personnel of the Barnum and Bailey Circus outside of the dressing room. The group of women are standing in three rows and waving American flags.
Postcard of the desert lily from Palm Springs, California. A letter written in Spanish from Victoria to Federica Abreu is written on the opposite side.
Postcard of San Bernardino Mountains featuring several roads roping through the valley. Small houses spot the mountain side along with dense foliage and pine trees. A letter to Victoria Abreu from Nina and Charlie is inscribed in Spanish on the back, dated August 15, 1939.
Photograph of a baby with embroidery detailing on top of the photograph. Pale pink and light orange thread are used to create a dress, hat, socks, and pillow around the baby's face.
Postcard of the landscape of Cerro de Guadalupe. The postcard depicts two houses in front of a small hillside. The houses are small, one-story made of wooden slats. The closest house features a front porch and fence. A road runs to the right of both houses and toward the base of the hill. Several people are standing outside of the second house. A hand-written inscription reads "Cerro de Guadalupe H. Zuacuaro Mich. No 2." On the back, a letter is inscribed from Federica Abreu to Victoria, dated February 12.
Photograph of a child sitting on a gravestone in a cemetery. The child is facing the camera and wearing a short-sleeve shirt and shorts, and shoes with ankle socks underneath. A cross and floral elements decorate the gravestone.
Photograph of Sabino Gomez and several of his friends and circus performers. Sabino is pictured in the first row on the far left. Several other men stand around Sabino wearing suits and hats. One woman stands in the center of the group, wearing a fur hat and coat.
Photograph of Sabino Gomez in his circus costume, consisting of a matching vest and pants embroidered with flowers and vines. Sabino is resting his shoulder on a square pedestal with a bouquet of flowers resting on its top.
Photograph of Sabino Gomez and two friends playing on a swing set. Sabino is sitting on the front-most swing, holding onto a metal pole for support. His two friends are sharing a swing behind him.
Photograph of a drawing created by Virginia R. Garcia. The drawing consists of a single female figure against a solid background. The woman is wearing a light-colored shirt and skirt. Her hair is worn in a bun, piled on her head. Her left leg is extended behind her as if she is balancing on one foot.
Photograph of a toddler standing next to an urn. The young boy is wearing a one-piece short sleeved suit with a belt around his waist. His left hand holds his balance on the urn. A stamp on the opposite side reads "M.H. Gonzalez Studio 913 SO Laredo St. June 15 1949 San Antonio, Texas.
Photograph with two separate circular images of a young man wearing a suit and bow tie. The image on the left shows the man's face and chest, while the on the right shows just the man's face and neck.
Photograph of a young woman wearing a large hat wrapped in tulle. She is wearing a dress with floral embroidery around the neck. The photograph is tinted blue on the hat and the neckline of the dress. A letter is written in Spanish on the back of the photograph.
Photograph of Abelardo Saenz, the main dancer for Carpe Cubana Circus. Abelardo wears a long-sleeve collared shirt with the two top buttons unbuttoned, a tie and cummerbund. The sleeves of the shirt are very broad, and gather into cuffs around Abelardo's wrists.
Photograph of Alfred Codona, a member of the Barnum and Bailey Circus. Alfred is sitting in a room with a window open behind him, holding a pair of gloves in his hand.
Photograph of Alfredo Abreu sitting on a cushioned bench. He is facing forward with both of his hands resting on the bench. One leg is bent and tucked underneath the other. He faces forward, wearing a white shirt-sleeved shirt with a pen in his front pocket, white belt, and white shorts. His short socks are marked with several stripes, and rise to his ankles from white athletic shoes.
Photograph of Alfredo and Vida on the day of Alfredo's college commencement. Alfredo stands on a front porch wearing a graduation gown and cap. Vida holds Alfredo by the waist, wearing a shirt-sleeve dress with a patterned bodice and solid skirt.
Photograph of Avalardo Saenz in his dancing uniform. Saenz was considered the most successful dancer in the Carpe Cubana Circus, and taught the other dancers in the Cuban Show "Matador."
Photograph of baby Alfredito, dressed in a white gown and socks and laying on a white blanket on top of a floral cushion. A hand-written inscription in Spanish on the back of the photograph says the baby is two and a half months old.
Postcard of baby Celia, sent to Federica Abreu. Celia is seated on an embroidered quilt. She is wearing a bonnet with lace trim and large flowers attached to each side. The bonnet is tied in a bow underneath her chin. The dress she is wearing is white and short-sleeved, with matching lace trim. She also wears socks and white shoes.
Photograph of Bilito posing with his girlfriend. He stands behind her with his arm around her waist, wearing a tweed suit and striped undershirt. His girlfriend wears a solid-colored dress and a dark sash. They stand together in a courtyard beside a stucco building. The courtyard is decorated with exotic plants and shrubs.
Postcard of Carmen Calvo, addressed to Federica and Virgilio Abreu. Carmen is standing and facing left, with her right arm tucked behind her. The photograph is embroidered with blue, cream, and pink stitches in the form of a dress.
Photograph of clowns from the Carpe Cubana Circus. The four performers are dressed in the same costume, consisting of a blue dress with purple stripes, parasol, pink hat and pink high socks.
Photograph of clowns from the Carpe Cubana Circus. The six performers are divided into pairs. Each performer in the pair is facing the other and holding hands. The performers are wearing matching blue dresses and orange caps.
Photograph of six Carpe Cubana's performers. The group is wearing matching dress and caps. They all salute with their left hands, and hold a sword pointing upward in their right hands.
Photograph of clowns from the Carpe Cubana Circus. The six performers are wearing kimonos and carrying large parasols. Four performers stand behind two sitting performers.
Photograph of a small boy saluting in military uniform. He stands in front of a patterned curtain with his right arm to his forehead and the other at his side. The uniform consists of a dark, double-breasted coat with a braided belt and dark slacks.
Photograph of Eduardo Codona in front of a two-story home. Eduardo and the man to his right stand in a field featuring vegetation rising past their knees. Both men where suits and hats. Eduardo carries a roll of folded papers in his hands.
Photograph of Federica Abreu with his grandson Alfredo. Federica is seated to the right of Alfredo, wearing a short-sleeved polka-dotted dress. Alfredo leans in towards his grandmother, looking up at her. He wears a white short-sleeved shirt with a pen in his pocket, white belt and white pants.
Photograph of Fosto the acrobat performing a stunt in the center of small stage. The acrobat is balancing his body with his hand on a small square in the center of the stage.
Postcard written in Spanish, from Victoria Abreu to her grandmother. The front of the postcard depicts an older woman holding a small child. The woman is seated in a bed of grass looking down at the child, whom she holds by the waist.
Photograph of Lily Elsie wrapping a scarf around her neck. She wears a dress with an embroidered bodice and a hat decorated with a bow and flowers. Lily wears a heart locket, a beaded bracelet, and several rings. She is standing in front of a wall decorated with floral tiles. An inscription is written in Spanish on the front of the photograph, while a letter is written on the back of the photograph.
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